Wednesday Writing Tip: The Best Genre is the Genre Mashup

This video, brought to us by the fine – and brilliant – folks at Postmodern Jukebox – is a stunning example of what I like to call a genre mashup.

Assuming you have any perspective on 20th century music and 21st century TV, it’ll be easy for you to get most of the references above. For those who need an education, here’s a brief breakdown. Continue reading → Wednesday Writing Tip: The Best Genre is the Genre Mashup

Funky Friday: Finding the Funk in Surprising Places

Anyone who’s spent more than 10 minutes reading past posts from this blog know that I’m a fan of fusion – both literary and musical. Some of the best examples of both come when someone known for one genre or style tries something new, or just decides to incorporate elements of the “other” into their own work.

Musically, Prince is one of my favorite examples, since his funk credentials are extensive, but the Little Purple One also has an incredible talent for penning an infectious pop song when he feels the urge. Continue reading → Funky Friday: Finding the Funk in Surprising Places

Funky Friday Writing Advice: Take What Someone Else Did and Make It Your Own

OK, now that you’re good and worn out from chair dancing, let’s talk about the Grammy Awards, where last Sunday, despite a truckload of radio play, Robin Thicke failed to get an award for his super-mega hit “Blurred Lines,” and instead laid the foundation for a future as a Las Vegas lounge act backed by the guys from Chicago (I’ll get to why I started you off with “Tighten Up” in a moment). Continue reading → Funky Friday Writing Advice: Take What Someone Else Did and Make It Your Own